Sunday, August 30, 2009

Training

Not far from us we are privileged to enjoy a miniature railway. This is no two-bit model railway with dodgy tracks and a rickety engine. This is the real thing. That is, real models based on real engines using real coal and running on real tracks with real signals. It is one of the most extraordinary and disturbing things we've seen.

Our boy doesn't think it is at all disturbing and is utterly mesmerised by it. I've tried to take him often during the summer and he's started to really relax and enjoy it. He looks hard at the train and says, 'T, t, t' with great vigor (meaning Thomas of Tank Engine fame). And when told we are going to visit the trains he dances about saying, 'Toot, toot'. It's safe to say that he has only the utmost appreciation for this service.

It is a very serious affair. It has real tickets and a ticket master, wearing a special hat clips your ticket before you ride


The engine driver carefully drives around the track, stopping or slowing at the appropriate signal and blowing his whistle the requisite number of times as instructed by the sign.

Some of the volunteers are older, probably doing this as a hobby in their retirement. But some are not old, and appear just as enthusiastic. In fact, everyone involved in this venture is not so much enthusiastic as earnest. And I think that is what is slightly disturbing for us.

This is a terrific thing to visit. Miniature trains, based off real engines with nicknames, being cared for and cajoled into giving their all for the Cutteslowe Park Miniature Railway.
We often frequent this park, which runs intermittently throughout the summer. And really appreciate the huge amount of work and expertise that goes into continuing to make this happen. But the attention to detail is slightly disconcerting. We were there once when a moment of tension happened, with an elderly engineer protested that the 'spare carriage' had been used. The conversation went like this:


(Outraged) The spare carriage has been taken out

(Long-suffering) Yes, they needed it.

But it isn't here any longer.

Yes, they've taken it out.

But now there is no spare carriage.

That's alright. They needed it and they took it.

It's not alright. There's no spare carriage.

But they had to use it.

It's policy to always have a spare carriage.


This final statement seemed to us to invite the response: "Yes it's policy to always have a spare carriage in case one is needed and not to always have a spare carriage lying around just for the sake of always having a spare carriage." But it was an indication of just how intense the engineers are that there was no attempt to discuss the purpose of the rule. It was clear that the only thing that mattered was the details. Which, it has to be noted, is a fantastic mindset to have when building a model engine exactly to scale. The earnestness in this enterprise isn't just in the driving of the trains. It pervades all, and this means great engines, with real smoke and puff.

But as much as I admire the tenacious attention to detail and sheer skill of this - and I do think it is amazing - I am always tempted to whisper into the driver's ear, 'It's just a train'. But I don't think he'd understand and there is probably a policy to put troublemakers like me off at the next stop. So, I continue to be amazed and incredulous. JMB

Friday, July 31, 2009

Learning to be Patriotic

J is 18 months old.

It's probably time, we thought.

So, we decided to teach J about patriotism. We got him a flag and took him to the Proms.


Oops. Maybe we taught him the wrong kind of patriotism. The proms (after all) is not a very Australian event, but you do see a lot of patriotic people. But we discovered, patriotism in England is expressed very differently to what we're familiar with in Australia.

There is flag waving in both countries. It's just that we can't quite see a mob of Australians waving their flags to... Elgar. But to the English, Elgar inspires flag waving. Even where there is a real spitfire 'dancing' to Elgar, which was quite absorbing and thrilling to watch, flags are held aloft and waved.

Great Britain no longer insists on a single flag. It was quite confusing for us Aussies there at the flag booth. There was the St George flag, the Welsh Flag, the St Andrews Cross as well as the Union Jack. Anyone would think the Empire had collapsed (but I think any rousing rendition of 'Rule Brittania' will demonstrate that this is clearly a myth.)

Pig products are the national dish. We may have commented on this already. We are still coming to terms with it. Our fellow Terry Pratchet fans may assume, like we used to, that 'Piginabun' sold by Cut-Me-Own-Throat-Dibbler is a parody. Not so much. It's more like factual reporting. The pig products are sold unsullied by any accompaniment on a bun. It is 'pig in a bun'. And it may or may not kill you, depending on your consitution.

National music is classical. Good, well-played classical. This was a marvellous discovery. It's not that we don't appreciate country music. Well, actually it is that. Flag waving works better to Elgar than 'I Went Outback On My Horse Called Mildew and I Lost My Girl and I'm Sad, Sad, Sad'. Sure, country music has narrative, but classical music doesn't always have words. And frankly, that can sometimes be a real benefit. Especially when it's chosen and played well.

The war isn't really over. The war with France that is. Insulting anyone else is a hate crime. Insulting the French and reminding them of their loss at Waterloo again and again is a national past time. Give a slightly tipsy guy dressed in a 19th Century soldier's uniform a microphone and you'll hear the French insulted. And the crowd encouraged to boo the French. When they say 'don't mention the war', they don't mean the one in the nineteenth century. It's all about Waterloo. (It seems such a big deal I expect it is actually Cromwell's fault somehow).

The British know how to be in a crowd well. Lots of horses to see, no stand of any kind. So we do what the British do best. We form an orderly queue of sorts. Those of us at the back can't see a thing. But there is no complaining or jostling or nastiness. We all just stand there in an orderly fashion. It is much less stressful than other crowds we've experienced. It's a good national skill to have.

Artillery is a serious business. Still. The guys who operated the artillery to blast at various times in theh programme actually built the artillery. At some point, someone will possibly break it to them that this artillery is not so useful these days. (Which I guess isn't true if it is used each year for these events all around the country). We've moved onto more sophisticated ways of killing people. It is a curious thing, though. One wonders whether in 200 years, they'll have the Proms with battle tanks, machine guns and missiles. That will really put a bang into the 1812 Overture.

And the weather. As the inevitable rain came down (not that we mind it particularly), we were engaged in the care of a small boy and it wasn't until we turned around again that we saw the crowd had become a sea of umbrellas. It was a startling transformation and we should have taken a photo. Instead here is one of number of more serious umbrellas; the truly serious of course were housed in a gazebo (and almost always attired in formal wear). Gazebos could be hired for a cool $A250. We just brought along our dinky little umbrella. But then, we're from the colonies.

We won't try and further J's patriotism any further at this stage. What with the Ashes... he's probably waving the right flag anyway. JMB